Portrait of Giovanni Secco Suardo and his Servant
1720 · Accademia Carrara, Bergamo
portraitRichness of colour and unfailing mastery of brushstrokes, combined with psychological intensity in capturing character, are the hallmarks of Ghislandi's portraits. In this case the painting also carries moral undertones. Even when relaxing, which can be deduced from the way his clothes are loosened and the fact that he is not wearing a wig, the nobleman maintains his formal, pompously impressive poise.
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