FINDART

Crypt of San Martino ai Monti, Rome

1806 · Musée Fabre, Montpellier

religious

Among the first of a number of artists to take a pictorial interest in Roman ritual, rather than in the traditional Christian iconography, was the young Provençal Granet, who while studying in Rome began painting church interiors with officiating clergy. This new genre anticipated the medievalism of his Troubadour compatriots and found a ready market. His haunting Crypt of San Martino ai Monti, a view of the vaults which were once part of the ancient Baths of Trajan, includes a female corpse in its white shroud, while a hooded priest and his acolyte prepare for the committal.

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Crypt of San Martino ai Monti, Rome

About the Artist

François-Marius Granet

17751849

French painter, a pupil of Jacques-Louis David. In 1793 he left Aix with the local Société Populaire to assist in the siege of Toulon. He worked as a draughtsman with the artillery battery; his autobiography provides a vivid account of his experiences during the siege and destruction of the town. On a subsequent tour of duty he was employed to paint republican motifs on ships in the naval base at Toulon. Granet spent the years 1802-19 in Rome. Here he earned his living selling drawings of ancient monuments and painting biographical events from the lives of famous artists. He made a speciality of sombre tonal effects and changing light in dimly lit interiors, his highly individualistic style recalling Dutch interiors rather than the Neoclassical tradition in which he was trained. His Choir of the Capuchin Church in Rome was exhibited at the 1819 Salon with such success that he made sixteen replicas of it. Granet also painted Italian landscapes, constructed with firm, cubic volumes in which some critics have seen a foreshadowing of Cézanne. He reached the height of his success when he was awarded the Cross of the French Legion of Honour and the ribbon of the Order of Saint Michael. In 1826 he became curator of the Louvre Museum and was made Keeper of Pictures at Versailles in 1830. During the Revolution of 1848 he retired to his native Aix-en-Provence, where he founded the museum which bears his name. It contains a celebrated portrait of him by Ingres.

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