Celebration of the Peace of Münster, 1648, at the Crossbowmen's Headquarters

historical

In the second half of the 1640s not a single Dutch portraitist, including Van der Helst, tried to emulate Rembrandt's revolutionary achievement, the Night Watch. Their group portraits are all clearly and sharply delineated collective portraits giving each man his due. The interest of Dutch artists and their clients in detailed portrayals won the day.

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Celebration of the Peace of Münster, 1648, at the Crossbowmen's Headquarters

About the Artist

Bartholomeus van der Helst

1613 – 1670

Dutch painter. he was born in Haarlem, settled in Amsterdam in 1636, and in the 1640s took over from Rembrandt as the most popular portraitist in the city, his detailed, tasteful, and slightly flattering likenesses appealing more to the fashionable burghers than the master's work, which was becoming more individual and introspective. Van der Helst's influence during his lifetime was great. For example, Rembrandt's talented pupils Bol and Flinck abandoned the style of their master in order to follow his more popular manner. His reputation endured into the next century and as late as 1782 Reynolds wrote that van der Helst's Banquet of the Amsterdam Civic Guard in Celebration of the Peace of Münster 'is, perhaps, the first picture of portraits in the world', adding that it as far exceeded his expectations as Rembrandt's Night Watch fell below them.

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