Regents of the Walloon Orphanage

portrait

A marked change in the Dutch portraitist's conception of his task becomes apparent in the work of Bartholomeus van der Helst. His portraits take on some of Van Dyck's elegance, which began to affect Dutch art about 1640. Adriaen Hanneman (1610-71) returned to The Hague with Van Dyckian motifs about 1637, after more than a ten-year stay in England, and the portraits he and his pupils made for courtly patrons helped to set the new fashion.

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About the Artist

Bartholomeus van der Helst

1613 – 1670

Dutch painter. he was born in Haarlem, settled in Amsterdam in 1636, and in the 1640s took over from Rembrandt as the most popular portraitist in the city, his detailed, tasteful, and slightly flattering likenesses appealing more to the fashionable burghers than the master's work, which was becoming more individual and introspective. Van der Helst's influence during his lifetime was great. For example, Rembrandt's talented pupils Bol and Flinck abandoned the style of their master in order to follow his more popular manner. His reputation endured into the next century and as late as 1782 Reynolds wrote that van der Helst's Banquet of the Amsterdam Civic Guard in Celebration of the Peace of Münster 'is, perhaps, the first picture of portraits in the world', adding that it as far exceeded his expectations as Rembrandt's Night Watch fell below them.

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