Elizabeth Throckmorton, Canoness of the Order of the Dames Augustines Anglaises

1729 · National Gallery of Art, Washington

portrait

It is by his portraits that Largillière is esteemed. Effective as a portraitist of groups and able to achieve in single portraits grandeur or intimacy, depending on the circumstances, he remained impressively consistent in artistic quality. He was in his seventies when he portrayed so delicately and perceptively Elizabeth Throckmorton in her habit as a Blue Nun.

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Elizabeth Throckmorton, Canoness of the Order of the Dames Augustines Anglaises

About the Artist

Nicolas de Largillière

1656 – 1746

Nicolas de Largillière (Largillierre) was born in Paris but passed his youth in Antwerp and, from c. 1674, spent some years in England as Lely 's assistant. He was thus almost a Flemish painter when he returned to Paris in 1682. He became a member of the Academy in 1686 and ultimately its Director. His principal rival was Rigaud, but Largillière specialized in portraits of the wealthy middle classes, leaving the aristocrats to Rigaud. There are typical examples in London (National Gallery and Wallace Collection), New York (Metropolitan Museum), and Paris (Louvre). The S. Geneviève (Paris, S. Étienne) is the only survivor of the large ex-voto type of picture that he painted for the Corporations. He also painted a few pictures of still-life.

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