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Stevenstift in Leiden

1889 · Nationalgalerie, Berlin

genre

When young, Liebermann tackled unpopular subjects including orphanages, old people's homes, and factories, usually painted with a sunny, matter-of-fact naturalism. Stoical in their making do, his models' resolutely "good face" is still light-years away from whatever social criticism their condition might imply. However, in their day such subjects suggested an unseemly curiosity concerning subjects best left unseen.

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Stevenstift in Leiden