FINDART

Evening at Uhlenhorster Fährhaus

1910 · Kunsthalle, Hamburg

landscape

A thematic shift became noticeable in Max Liebermann's work starting in the 1890s. While the artist had observed the working class population in their day-to-day activities at the start of his career, he was now interested in bourgeois leisure motifs. The choice of subject matter now appeared to coincide with the artist's own lifestyle habits.

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Evening at Uhlenhorster Fährhaus