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Breakfast Still-Life

1630 · Museum voor Schone Kunsten, Ghent

still-life

From around 1625-30 a new type emerged in Dutch still-life painting: the 'monochrome banquet', which was marked by a diagonal arrangement - with the objects grouped together in a synthesis - and a grey-brown monotone, giving these still-lifes a more realistic and less artificial appearance. This stylistic evolution of the still-life, which in the North is linked particularly with the names of the Haarlem painters Pieter Claesz. and Willem Heda, found its most prominent representative in the South in the person of Cornelis Mahu.

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Breakfast Still-Life