The Oarsmen
1873 · Nationalgalerie, Berlin
genreAlthough officially considered a third member of the so-called German Romanists, Hans von Marées, long resident in Italy, moved far from the dramatic narrative of Böcklin or the ponderous perspective of Feuerbach. The Berlin-trained von Marées was Germany's major prophet of Modernism, filling a critical role as that nation's Puvis de Chavannes, the French master who was thirteen years his senior. Like Puvis de Chavannes, von Marées followed the Nazarene and Pre-Raphalite revival of wall painting.
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