FINDART

View of the vaulting

1435 · Collegiata, Castiglione Olona

religious

The picture presents a view of the vaulting of the Collegiate Church with the scenes from the life of the Virgin. On the walls below, a cycle with scenes from the lives of the archdeacons Stephen and Lawrence, by Il Vecchietta and Paolo Schiavo can be seen. The six scene from the life of the Virgin fill the six compartments of the cross-ribbed vaulting of the polygonal presbytery, their unusual arrangement dictated in part by the relative sizes of the available spaces.

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View of the vaulting

About the Artist

Masolino Da Panicale

13831447

Italian painter. He is generally considered to be a member of the Florentine School, but he travelled a good deal and even went to Hungary. His career is closely linked to that of Masaccio, but the exact nature of the association remains ill-defined. The tradition that he was Masaccio's master is now dismissed, for he became a guild member in Florence only in 1423 (a year after Masaccio) and although he was appreciably the older man it was he who was influenced by Masaccio rather than the other way round. They are thought to have collaborated on The Madonna and Child with St Anne (Uffizi, Florence, c. 1424), but the major undertaking on which they worked together was the decoration of the Brancacci Chapel of Santa Maria del Carmine in Florence. Masolino's style was softer than Masaccio's and there is a fair measure of agreement about the division of hands. Masolino's contributions, completed between 1424 and 1427, include The Preaching of St. Peter, The Raising of Tabitha, and The Fall of Adam and Eve. After Masaccio's death Masolino reverted to the more decorative style he had practiced earlier in his career. At his best he was a painter of great distinction, his masterpiece perhaps being the fresco of the Baptism of Christ (c. 1435) in the Baptistery at Castiglione d'Olona, near Como, a graceful and lyrical work that is a world away from Masaccio's Baptism of the Neophytes in the Brancacci Chapel. Other important frescoes were done for the Church of San Clemente, Rome; and for the Church of Sant'Agostino, Empoli.

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