A Lady Drawing

genre

Van der Neer's first pictures date to the 1660s, the decade in which Dou, Frans van Mieris, Gerard Terborch, and Gabriel Metsu were at the height of their careers, working in a flourishing market awash with disposable income. Van der Neer's paintings from this early period, among them his Lady Drawing of about 1665, clearly resembles these masters' works. Its subject can be linked to a work by Metsu while the lady's shimmering satin attire and the overall, serene ambience of the panel strongly recall paintings by Terborch.

Loading map…

About the Artist

Eglon van der Neer

1634 – 1703

Eglon van der Neer was the son of Aert van der Neer, the Dutch landscapist active in Amsterdam. Eglon painted landscapes as well as history pictures, portraits, and genre scenes, was more peripatetic and had greater financial success than his father. At the beginning of his career Eglon travelled in France where he worked for the Dutch governor of Orange. He returned to Amsterdam by 1659. From 1664 until 1679, Rotterdam was his base. Thereafter he spent a decade in Brussels. He was appointed court painter of Charles II of Spain in 1687; however, he apparently never made the trip to the king's court. In 1690 he accepted the post of court painter to the Elector Palatine, Johann Willhelm in Düsseldorf. Adriaen der Werff, Eglon's pupil, made contact with the Elector Palatine in 1696 and quickly became his favourite. However, Eglon continued to hold his position until his death in 1703.

View all works →