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A Girl with a Kitten

1745 · National Gallery, London

portrait

Perronneau's pastels show less technical virtuosity than Maurice Quentin de La Tour's, perhaps quite deliberately. Something of a preparation remains in the finished portrait, giving a gritty, unflattering, yet forceful character to his work. He is less concerned with simulating the texture of skin or hair, for example, than with lively drawing in pastel; the strokes remain, and add their vibrancy to Perronneau's sharp observation.

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A Girl with a Kitten