View of the Loggia di Galatea

interior

After the building was completed the initial focus of the decoration was the garden loggia on the Tiber side of the villa (the Loggia di Galatea). Originally it opened to the landscape on two sides through arcades. The vault of the loggia was decorated by Peruzzi in 1510-11 with a system of architectonic fields painted with deceptive realism that contain a number of mythological figures against a blue sky.

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About the Artist

Baldassare Peruzzi

1481 – 1536

Sienese architect, painter, and stage designer, active mainly in Rome, where he settled in 1503. He worked under Bramante on St Peter's, and eventually became architect to the building after Raphael 's death in 1520. Amongst High Renaissance architects he ranks almost alongside these two contemporaries, but his style was very different - sophisticated and delicate rather than monumental and grave. In spite of his genius he had little material success, according to Vasari because of his 'retiring nature'. His greatest works - indeed the greatest secular building of the High Renaissance - is the Villa Farnesina (1508-11) in Rome. The Farnesina contains decorations by Raphael, Sebastiano del Piombo and Sodoma, as well as Peruzzi's own masterpiece in painting - the Sala delle Prospettive, a brilliant piece of feigned architectural painting that confirms early accounts of his skill in perspective and stage-design.

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