Belisarius Receiving Hospitality from a Peasant Who Had Served under Him

historical

The theme of Belisarius was much in vogue from the 1770s, and in addition to Jacques-Louis David, rival artists of David's own generation, such as Pierre Peyron and François-André Vincent, had painted their own versions of the subject. In Peyron's work, Belisarius is recognized by a peasant who had served under him, and praised as their protector and saviour by the rural family that now give him hospitality.

Loading map…

Belisarius Receiving Hospitality from a Peasant Who Had Served under Him

About the Artist

Jean-François-Pierre Peyron

1744 – 1814

French painter and draughtsman. He was the son of a provincial administrator and at the wish of his family studied law until the death of his father in 1765, when as a protégé of Michel-François Dandré-Bardon he enrolled in the Ecole de Dessin at Aix-en-Provence. In 1767 he moved to Paris as a pupil of Louis Lagrenée and also enrolled in the school of the Académie Royale de Peinture. In 1773 he won the Prix de Rome in competition with Jacques-Louis David. Peyron's version of the prize subject, the Death of Seneca (untraced), is known through an engraving by the artist. In 1774, working to designs by Charles-Louis Clérisseau, he decorated the salon of the Hôtel Grimod de la Reyniere, Paris, with the first examples of Neo-classical grotesque decoration in 18th-century France. The prestigious Grand Prix award enabled Peyron to spend seven years studying in Rome, where he profited from the examples of Italian artists and of his French predecessor Poussin. Peyron returned to enjoy patronage that included a commission for King Louis XVI for the subject of Alceste's death (1785, Louvre, Paris, a smaller version dated 1794 is now in North-Carolina Museum of Art, Raleigh.

View all works →