Lamentation of Christ

religious

The intersection of styles characterizes this small panel, in which Northern elements traceable to Rogier van der Weyden are conspicuously present, but so are certain Vincenzo Foppa influences, mainly in the physiognomy of some figures in the middleground, in the facial types and some solutions in the drawing that were to remain unaltered in Bergognone's works of subsequent years.

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About the Artist

Ambrogio Bergognone

1453 – 1523

Ambrogio Bergognone (also Borgognone), originally Ambrogio di Stefano da Fossano, Italian painter of the Lombard school whose use of subdued and subtle colours lead Berenson to nickname him the 'Whistler of the Renaissance'. He was a pupil of Foppa, Leonardo had hardly any influence on him. His youthful Madonnas are deeply perceived and are evidence of the naive piousness of their creator. Together with Foppa he is considered to be the greatest painter of the Milanese School. He painted an altarpiece and frescoes for the convent of the Carthusians at Pavia (1514) and frescoes in the church of S. Simpliciano, Milan.

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