Monna Vanna
1866 · Tate Gallery, London
portraitRossetti was particularly interested in colour harmonies, such as the Venetian yellows tempered with red and green of Monna Vanna, which Rossetti painted in 1866. A sumptuous echo of Raphael's Portrait of Joan of Aragon, Monna Vanna is built up of many circles, emphasizing its fullness - in the dress, the hair, the fan, the jewelry, the necklace, and even the pot of roses in the background.
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