The Virgin in Prayer
1640 · National Gallery, London
religiousLike Carlo Dolci, Giovanni Battista Salvi, called Sassoferrato from his birthplace in the Marches, had close ties with the Benedictines. Their motto, ora et labora, 'pray and work', seems as fitting to him as it does to his devout Florentine contemporary. Like Dolci, he relied on the compositional inventions of others: fifteenth- and sixteenth-century artists such as Perugino, Dürer, Tintoretto, Lo Spagna; contemporaries, above all Reni; and the fashionable Madonnas painted in Rome by the Frenchman Mignard.
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