Allegory of the Four Seasons - Autumn

mythological

Jacob de Wit, a leading representative of Dutch ceiling painting was responsible for a seasonal cycle commissioned by Landgrave Wilhelm VIII for the great galleried hall at Schloss Wilhelmshöhe. This cycle is characteristic of De Wit's works in grisaille, generally allegorical representations of putti, which were popular and internationally sought-after decorations. With their graduated greys, these works - sometimes called 'witjes', in a pun on the name Wit, meaning white - imitate stone bas-relief.

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About the Artist

Jacob de Wit

1695 – 1754

Jacob de Wit was the outstanding Dutch decorative painter of the 18th century, active mainly in his native Amsterdam. He had his principal training in Antwerp and learned much from Rubens 's ceiling paintings in the Jesuit Church there (his drawings became valuable records after the paintings were destroyed by fire in 1718). De Wit's style, however, was much lighter than Rubens's, with a Rococo delicacy and charm. He was a Catholic and was the first Dutch artist since the 16th century to carry out a good deal of decorative work for Catholic churches, but he was at his best in domestic ceiling decorations (Bacchus and Ceres in the Clouds, Huis Bosckbeek, Heemstede, 1751). His name has entered the Dutch language to describe a kind of trompe-l'oeil imitation of marble reliefs for which he was renowned; such pictures, usually set over a chimney-piece or door, are called 'witjes ('wit' is Dutch for 'white'). De Wit was also an engraver and a noted collector of Old Master drawings.

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