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Madonna and Child

1490 · Pinacoteca di Brera, Milan

religious

The form of this painting is almost harsh, as if hammered out rather than modeled, and the contours are as incisive as if they had been scratched into the surface. In part, colour dominates the form and has a perspective function, giving the planes their distance in depth. The overall effect is that of a painted bas-relief, in which the colour is subtle rather than bold.

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Madonna and Child