Madonna and Child
1490 · Pinacoteca di Brera, Milan
religiousThe form of this painting is almost harsh, as if hammered out rather than modeled, and the contours are as incisive as if they had been scratched into the surface. In part, colour dominates the form and has a perspective function, giving the planes their distance in depth. The overall effect is that of a painted bas-relief, in which the colour is subtle rather than bold.
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