The Funeral of St Lucy

religious

The first Lucy scene in the lower register shows the steadfastness of the saint before the judge Paschasius, the second and unsuccessful attempt to have her brought to a brothel with a team of oxen. These scenes are followed by the martyrdom of the saint, and the concluding scene is her burial. In the scene of The Funeral of St Lucy the backdrop is a lavishly designed sacred building - the church that was erected over the tomb of the saint, according to the Golden Legend.

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About the Artist

Altichiero Da Zevio

1330 – 1390

Italian painter. He probably came from Zevio near Verona and is sometimes considered to be the founder of the Veronese School, although the only surviving example of his work in that town is a fresco in Sta Anastasia. Most of his surviving work is in Padua, where he had a hand in fresco cycles in the Basilica of St Anthony (between 1372 and 1379) and in the Oratory of St George (between 1377 and 1384), in the latter of which he collaborated with an artist called Avanzo, who is otherwise unknown and whose contribution to the work is uncertain. Altichiero's gravity and the solidity and voluminousness of his figures clearly reveal his debt to Giotto 's frescos in the Arena Chapel of Padua. But his pageant-like scenes with their elaborate architectural views express the taste of the late 14th century for Gothic intricacy, while his naturalism in the study of plants and animals formed the point of departure for a new style which is reflected in Pisanello.

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