The Church as the Path to Salvation (detail)

1366 · Cappellone degli Spagnoli, Santa Maria Novella, Florence

religious

In the upper right part of the fresco, the sacrament of penance is depicted via a monk who is granting absolution to a man kneeling before him. Beside this scene, allegorical figures can be seen. The most plausible explanation for these figures seated before a green hedge is that they represent the vain worldly pleasures and fancies.

Loading map…

The Church as the Path to Salvation (detail)

About the Artist

Andrea Da Firenze

Andrea da Firenze (Andrea Bonaiuti), Florentine painter. From January 1346 he was registered in the Arte dei Medici e Speziali in Florence. The earliest paintings that can be attributed to him suggest that he must have formed a close association with the workshop of Andrea di Cione. The small portable triptych of the Virgin and Child with Saints and Angels (centre panel, Copenhagen, Statens Museum for Kunst; side panels of the Nativity and the Crucifixion, Houston,Museum of Fine Arts) shows the influence of Maso di Banco and of the painter of the Strozzi Chapel frescoes in the Chiostrino dei Morti, Santa Maria Novella, Florence. Andrea da Firenze is remembered mainly for his frescoes in the Spanish Chapel of Santa Maria Novella, Florence. This is a church of the Dominican Order, and the frescoes, illustrating the Triumph of the Faith and the Dominican doctrine, in both their severity and their meticulous detail, accorded with the expository style of the Dominican preaching friars. Andrea is last recorded in 1377 working on frescoes of the Life of St Raynerius in the Campo Santo at Pisa.

View all works →