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Ecce Homo

1607 · Galleria Palatina (Palazzo Pitti), Florence

religious

The history of what is certainly Cigoli's most famous painting has recently been clarified by the discovery of new documents. Cigoli's nephew, Giovanni Battista Cardi, was the first to report that this Ecce Homo was chosen as the best of three versions of the theme commissioned as part of an 'unknown' competition between Cigoli, Caravaggio and Domenico Passignano. It is now clear that in 1607, when Cigoli was resident in Rome, he painted an Ecce Homo for Massimo Massimi as a pendant for a picture by Caravaggio that the collector already owned.

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Ecce Homo

About the Artist

Cigoli

15591613

Cigoli (Lodovico Cardi), Florentine painter, architect, and poet. He was the outstanding Florentine painter of his generation and his work represents the complex stylistic cross-currents in the period of transition from Mannerism to Baroque . A key figure in the development of Baroque in Florence, Cigoli also played an important role in seventeenth-century Rome. After studying with the Florentine painters Alessandro Allori and Santi di Tito and the architect Bernardo Buontalenti, Cigoli received numerous Medici commissions, including designs for the pageant held on the occasion of Grand Duke Ferdinand I's marriage to Maria Christina of Lorraine in 1589. Cigoli's paintings of the 1590s, such as Heraclius Carrying the Cross (1594; San Marco, Florence) and The Martyrdom of St Stephen (1597; Galleria Palatina, Florence) reveal a new naturalism and clarity of composition, heralding in Florence a reform of the prevalent Mannerist style similar to that undertaken by the Carracci in Bologna. In 1604 Cigoli was summoned to Rome to paint St Peter Healing the Cripple for St Peter's (1604-06; fragments in crypt), a masterpiece on slate praised by Andrea Sacchi as the third greatest painting in Rome, after Raphael's Transfiguration and Domenichino's Last Communion of St Jerome. During the last decade of his life Cigoli frequently participated in important decorative enterprises in Rome. These included The Virgin of the Immaculate Conception in the dome of the Cappella Paolina in Santa Maria Maggiore (1610-13), painted for Pope Paul V, and a fresco cycle, depicting Psyche and Cupid, in the casino of Cardinal Scipione Borghese's palace on the Quirinal hill (1611-13; now in the Museo di Roma, Palazzo Braschi, Rome). In 1613, only a month before his death, Cigoli was made a knight of the Order of Malta.

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