Vanitas Still-Life

still-life

Nearly all Dutch still-lifes include - to a greater or lesser extent - the aspect of vanitas, a lament about the transience of all things. It is often symbolized by objects such as a skull or a clock, as in this painting, where the effect is enhanced by an overturned wine glass and an extinguished candle. Claesz's metaphysical criticism concentrates on book knowledge and its futility in the face of eternity.

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About the Artist

Pieter Claesz.

1597 – 1661

Dutch still-life painter, born in Germany and active in Haarlem where he settled in 1617. He and Willem Claeasz. Heda, who also worked in Haarlem, were the most important exponents of the "ontbijt" or breakfast piece. They painted with subdued, virtually monochromatic palettes, the subtle handling of light and texture being the prime means of expression. Claesz. generally chose objects of a more homely kind than Heda, although his later work became more colourful and decorative. The two men founded a distinguished tradition of still-life painting in Haarlem, but Claesz.'s son, Nicholas Berchem became famous as a landscape painter.

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