FINDART

The Ages of Life: Youth

1842 · National Gallery of Art, Washington

landscape

In the latter half of the nineteenth century, American landscape painters of the Late Romantic school often suffused their compositions with an unreal illumination intended to symbolize Christian salvation. Their aim was to evoke the transcendence of light as a sign of divine mercy. Expanses of sky over a broad horizon were rendered in intense reds, yellows and violets, a colour range unknown to European painting, in spite of William Turner.

Loading map…
The Ages of Life: Youth