Barthélémy Charles, Comte de Dreux-Nancré

1797 · Private collection

portrait

This painting is unusual for the topographical view, in which one may see in the distance, across the Poitevin landscape, the ruins of the sixteenth century Chteau of Mondon. The stylishly dressed Count Barthélemy-Charles (born in 1760) stands on a balustrade terrace, his height accentuated by the column to his right. He wears his cravat in a fashionable knot, and the artist has paid considerable attention to the Count's elegant waistcoat and fine gloves.

Barthélémy Charles, Comte de Dreux-Nancré

About the Artist

Martin Drolling

1752 – 1817

Part of a French family of painters. Martin Drolling (Drölling) and his son Michel-Martin Drolling were portrait painters; whereas the father expanded his range by concentrating on bourgeois domestic interiors, the son produced a number of history paintings on mythological and religious subjects. After receiving initial training from an unknown painter in Sélestat, Martin Drolling moved to Paris, where he attended courses at the Académie Royale. He supplemented his education there by studying Flemish and Dutch Old Masters in the collection at the Luxembourg Palace. From the Flemish school he derived his own rich impasto, while the Dutch was to influence him in his meticulous, supremely descriptive and unsentimental style of painting as well as his choice of subject-matter: unfussy bourgeois interiors and frank portraits. Drolling first exhibited at the Salon de la Correspondance in 1781 and again in 1782 and 1789. After the French Revolution he was able to participate in the Salon at the Louvre, despite the fact that he had never become a member of the Académie Royale. He exhibited from 1793 to 1817, although the majority of his works extant today were shown after 1800. From 1802 to 1813 he was employed by the Sèvres porcelain manufactory, and many of his designs were engraved.

View all works →