Adoration of the Magi

religious

The Adoration of the Magi, is one of the fourteen panels from the altarpiece of the Chancel in Viseu Cathedral, and the earliest dated work of the artist. It is a key work in the evaluation of the impact which the painting and the painters from southern parts of the Low Countries had on the taste of patrons and on the work of painters in Portugal. Despite the controversy surrounding its authorship, everything points to a team, led by the Flemish painter Francisco Henriques, joined locally by the young Vasco Fernandes, elaborating the altarpiece for the bishop of Viseu.

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About the Artist

Vasco Fernandes

Vasco Fernandes, Portuguese Renaissance painter who worked in Viseu for at least 40 years, painted remarkable altarpieces. He became increasingly famous and revered with the passing of the centuries and came to be known by the name of Grão Vasco (the Great Vasco). His works, gathered in the Vasco Museum in Viseu from the chapels of Viseu Cathedral, the Episcopal Palace in Fontelo park and from churches of the region, are crucial for understanding what was one of the most brilliant periods in the history of Portuguese painting. This collection provides material for a fundamental appraisal of the artist's work and influence. This is, firstly, because the paintings in question are not simply the result of the individual work of the celebrated master. They are also the fruit of the periodic or relatively continual collaboration he engaged in with other painters and in particular with the Viseu artist, Gaspar Vaz, his principal partner who painted from 1514 to 1569. Secondly, the paintings have a further dimension: they illustrate the geographical, aesthetic and iconographic horizons of Portuguese painting during the reigns of King Manuel I and King João III.

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